The last big piece of the speedster puzzle from Infinite Crisis is revealed in The Flash: The Fastest Man Alive #6 (written by Danny Bilson and Paul DeMeo, pencilled by Ken Lashley and Andy Smith, inked by Art Thibert), and honestly, it amounts to "because we said so." Basically, after Bart takes care of Griffin (who dies in a somewhat incoherent sequence where a giant boulder is dropped, Wile E. Coyote-like, on him), we flash back to the Battle World where Bart, the Jay Garrick of Earth-Whatever, Barry Allen, Wally West, and Max Mercury are standing around talking about how best to warn everyone else that Superboy-Prime has gotten away from them.
First off, I’m willing to ignore the space-time issues as to how beings who can travel through time and across multiverses unaided are worried about catching someone who’s, granted, about as fast as they are. Still, standing around? Only Jay and Wally are even in costume. Shouldn’t they be racing after Superboy, talking strategy on the run? Wouldn't that have been more, y'know, EXCITING?!? Anyway, since Wally can share and steal speed, he proposes absorbing the others’ Speed Force energy to push him to eleven. Bart says no, it’s too dangerous, and you have Linda and the kids to think of -- let me do it! And that’s how it happens. That’s why Bart’s been so reluctant to use the Speed Force -- he feels guilty for something he volunteered for, and his friends agreed to. Man, what a crappy bit of fiat. Nothing in there suggests that Bart couldn’t have transferred the SF energy back to the others once he was done with it. Nothing in it suggests that Bart abandoned them on the Battle World (which, by the way, means that Barry Allen and Max Mercury are still alive out there, since DC’s apparently unconcerned about that screwing up the timeline the way it did in Flash vol. 2 #150). Therefore, nothing prevents Bart from finding Wally and the rest, telling them he’s done, and restoring their speed to them. The little jolt he gave Jay this issue is probably an acknowledgment that he can do just that. Good grief, DC, at least with Kyle Rayner you burned a lot of bridges! Here you’ve just put up some flimsy barricades. Basically, Bart is the Flash for as long as he wants to be, and since there’s hardly anything new or innovative about Bart-Flash, you’re going to have to work a heck of a lot harder to convince me to buy this book. Another guest artist, this time Andy Smith helping out Lashley, does improve the overall look of things with a sort of Alan Davis-meets-Dick Giordano style.
I’m really not very fond of Ethan van Sciver’s cover for Green Lantern #15 (written by Geoff Johns, drawn by Ivan Reis). Since when does Hal Jordan have black eyes with little white pupils? Inside is better, as GL fights the Global Guardians, a couple of Faceless Hunters from Saturn, the Rocket Reds, and a special surprise team on the last page. Oh, and we see the new Sinestro Corps. It’s entertaining enough, but there’s an undercurrent of sexism that kind of spoils it for me. The prominent female characters are a (mind-controlled) seductress (Crimson Fox), a man-hating murderess (the new Star Sapphire, who still gets a cool origin), or a prisoner (Cowgirl, who does escape her guards). Maybe I’m being unfair, but it rubbed me the wrong way.
Van Sciver provides interior art for Superman/Batman #30 (written by Mark Verheiden), which, as it happens, is a sequel to a plotline from Verheiden’s short run on Superman last year. That was a pleasant surprise. The thought of Alfred turning to sweet, sweet bourbon as a tonic for his stresses was also kind of funny, if a little wrong. However, the rest of it was just very strange. Batman and Plastic Man breaking into the Fortress of Solitude was probably the highlight, although I think the Alien Bad Guy just spoiled part of 52. Otherwise, Superman and Kilowog somehow conclude that they have to Kill All Humans, Superman’s eyes get all red and glowy, and ... yeah. I’m not long for this book.
I was looking forward to the all-Batman, all-Grant Morrison issue of 52 (#30 written by Johns, Morrison, Rucka, Waid, breakdowns by Keith Giffen, pencils by Joe Bennett, inks by Bennett and Ruy Jose), but this issue wasn’t it. For one thing, it featured a two-page Origin of the Metal Men, and while I don’t have anything against the Metal Men, they’re not exactly part of Bruce’s One Year Later development. Seeing Kate Kane in the old Wayne Foundation penthouse -- one of my absolute favorite fictional buildings, giant fake tree and all -- was nice, but jumping back and forth from Gotham to wherever Nightwing and Robin were, was a bit confusing, and I went over those scenes again to confirm that they hadn’t come back to Gotham only to have Robin fly back to the desert with his super dune buggy. I did have to smile at the Ten-Eyed Assassins, but rather than this issue being the done-in-one wonder I was expecting, now I’d like to see a more satisfying follow-up.
Over in Batman #659, guest writer John Ostrander and guest artist Tom Mandrake bring us Part 1 of the four-part story of Grotesk, yet another new Batman antagonist that hits a number of familiar notes. He’s a vigilante who kills because the skels deserve it; he’s an unstoppable brute with (yes) a grotesque look; and he has a mysterious connection to one of Bruce Wayne’s old flames. Thankfully, Bruce and Alfred figured out the connection right around the time I did, which redeems the issue considerably. Ostrander also includes a nice scene with Gordon and a disguised Batman, and Mandrake’s art looks really good. He was a fine regular Batman artist in the ‘80s, and he’s only gotten better.
Batman/The Spirit (written by Jeph Loeb and Darwyn Cooke, pencilled by Darwyn Cooke, inked by J. Bone) was fun, although I shamefully admit not being up on my Spirit Rogues past P’Gell. This is basically a $4.99 ad for Cooke's Spirit series, beginning next month. It's not exactly the sly meditations on the human condition that Will Eisner's originals were, and neither the Spirit nor his supporting cast dominate the pages like the more colorful Batman characters, but Cooke's style is the selling point here, and it's enough of a Spirit story (not to mention a more carefree Batman story) to be a pretty good ad.
Captain America #24 (written by Ed Brubaker, drawn by Steve Epting) didn’t feel like Part 3 of 3, since it seems more concerned with setting up a big throwdown involving the Red Skull and a very welcome Surprise Guest Villain. Sharon Carter joins Cap’s side and also links up with Nick Fury, Cap fights Hydra goons and SHIELD cape-killers, and ... is the Winter Soldier in this one? No. Oh well, he would've gotten lost in all the Hydra beatdowns. Anyway, good clean fun, and the next-issue blurb sounds sufficiently hyperbolic.
Nextwave #10 (written by Warren Ellis, drawn by Stuart Immonen) featured a short fight sequence between our heroes and the Not Brand Ecchers, followed by a series of freakish dream sequences showing the Nextwavers as "real" superheroes, or at least more traditional superheroes. It’s the first issue of Nextwave that isn’t riotously funny, and in fact it’s a little more like Planetary, but it’s still good. Boy, Stuart Immonen can draw. Be assured, though, it ends in typical Nextwave fashion.
Jog liked Guy Gardner: Collateral Damage #1 (by Howard Chaykin), and Kevin Church compared it to American Flagg!, so I’ll agree with both and postulate further that it shouldn’t have been G’Nort who acts as the P.O.’ed voice of the Green Lantern Corps, but Raul the Cat (or something like him) with a power ring. Can you imagine? It would have made this Flagg! fan very happy, and it would have prevented an otherwise jarring transition from the purely comedic goofball G'Nort was in Justice League International to this pragmatic, jaded canine creature. Ch’p would have worked as well. Guy translates into a typical Chaykin protagonist smoothly, although he’s not quite the socialized Guy found in other DC books, nor does he have all the charm of Reuben Flagg. I do think that Chaykin is well-suited for Guy, and next issue should be good as well.